
The night comes down like a wet blanket, sky weeping, the black ground sudenly slick and shiny.
It was hot and swampy and humid, now it's raining. Riding my bike home through air infused with the scent of cut grass and giant yards of blooming roses, I decided that being that we live in a delta, we are actually in the California equivalent of the deep South, albeit a very
white deep South.
I go to lunch with Jess every day, and we talk about art nearly the whole time. It's refreshing and wonderful, I can be as effusive (is that a word?) and gushing (there has to be a better word than that) as I want to be, and she understands. I want to collaborate with her (I mean, I already am, in that she asks for my opinion and I draw stuff for her tattoos....shhh.. don't tell the customers) on art, I want to draw the background of a painting and she draw the foreground and vice versa. I haven't felt so inspired about working with another artist since I met Alani in 4th grade and we would spend hours drawing with our matching Pentel felt pen sets. We would draw women's heads and rotate pen colors for the eyes, and hair styles "straight, curly, free" over and over again. Which is essentially what I am doing now..hahahaha:

These are for the Tall Totem Pole show. I did ten works total. If I sell two then I make the money back I spent on frames and shipping. Which was a lot. That's why art shows tend to suck a little(just being a lazy artist here). That's why original art is really expensive, but reproduced art is not. A lot more work goes in than just sitting down and painting (or in my case inking) the picture.
I continued with "the Girls" series that I was working on; miniature imagined portraits of sweethearts and lost loves. Formal, colorful, and miniature, in an attempt for affordability. I sold all but one of the original series, so I am trying new stuff with a spin. I'm using ink and brush, and they are very fairy tale-inspired. Women metamorphose and take on animal attributes. They are also very Japanese tattoo-inspired, especially the work on Zack Mosher. Stark black brush lines against the white paper. I love brushes, they have always been very easy to manipulate for me, and everything looks so GOOD.
I also tattooed my friend Meg, rather unexpectedly. She came up for a wedding and showed up at the shop right as Jess's last appointment didn't appear. We had talked about me designing tattoos for her long before I ever knew I was going to get to learn to tattoo. So she was game and had a photo of a succulent, and I made a drawing and we were both nervous, and I tattooed her then and there.
We are going to do linework succulents on her lower arms in colored ink...then a wreath of cherry branches and blossoms on her upper shoulders. All delicate, all linework. We may throw in some bees, and perhaps a bird (she wants crows, but I would have to find a way to make them work with the blossoms. Actually the juxtaposition of the pink and black feathers might be striking) as well.She said that she will get tattooed excusively by me. That she will be my work of art. Which will be awesome. Meg is taller than I, beautiful, and has a long neck and a face like an old-fashioned doll. I can take her to conventions like a extremely hot walking billboard! (*evil laugh*)I looks like a Magnolia because I did it.Labels: tattoo inspiration art